Kintsugi Workshop

Join us to repair handmade ceramics pieces, understand its beauty and give them a new gold purpose!



2 hours

Class size 1 to 8 (public classes), 6 to 10

  £40 - £50 (Earlybird price of £40 applies if you book into a public session 10+ days ahead) (PayPal Pay in 3 available)

This exclusive class in London offers a unique opportunity to repair your pots handmade by our studio’s skilled potters and take home your own one-of-a-kind piece! Guided by experienced ceramists, you'll receive instructions to restore your chosen pot, resulting in a truly remarkable creation.
Kintsugi (金継ぎ, "golden joinery"), also known as kintsukuroi (金繕い, "golden repair"), is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum; the method is similar to the maki-e technique.
As a philosophy, kintsugi is similar to the Japanese philosophy of wabi-sabi, embracing the flawed or imperfect. Kintsugi can relate to the Japanese philosophy of mushin (無心, "no mind"), which encompasses the concepts of non-attachment, acceptance of change, and fate as aspects of human life.
Immerse yourself in a beautiful Japanese method with this kintsugi class in London.
Please note:
The repair method used in this workshop is intended for decorative purposes only and is not food safe.
You're welcome to bring along a broken ceramic piece from home to repair during the class, provided it is clean and suitable for the workshop.

money_off
Save £10 per guest, when you book 10+ days before a session
What you'll get
Clay, aprons, and tools will be provided during the class, including a selection of bowls to choose your favourite from. There will be other ceramics made by potters in the studio that you can choose to upgrade for an additional fee.
At the end of the class, you will be able to bring your selected piece home.
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Knowledge required
Knowledge/Skill Required
No prior pottery experience is required. This class is suitable for complete beginners.
Age Requirement
This class is for participants aged 11 years and over. If booking for someone aged 11–17, please read the FAQ session before booking.
Safety
Kintsugi involves handling broken ceramic pieces, which may have sharp edges. Although safety instructions will be provided and every effort will be made to minimise risk, participants should be aware that minor cuts, scratches or bleeding may occur while handling broken ceramics.
By booking a participant aged 11–17, parents or guardians acknowledge these inherent risks and confirm that their child is able to participate safely, handle ceramic pieces responsibly and follow all safety instructions provided by the instructor.
What to bring
  • Fingernails should be kept short for health and safety reasons.
  • Please wear comfortable clothing that you don't mind getting a bit of clay on.
  • Please arrive 5 minutes prior to the start of the class, as this will allow you to sign in and not miss any demos.
  • No cancellations or reschedules allowed.
  • Cash or bank information for a transfer on the day to upgrade pieces.
Suitable for

This class is great for individuals and couples as well as for a date idea, team building activity, birthday or hen do.

This experience would also be a unique gift for her, gift for mum or gift for couples.


FAQ

What are the age requirements for kids?
Ceramic Studio's Kintsugi workshops are designed primarily for adults but welcome participants aged 11 years and over. Participants under the age of 18 must have a parent or legal guardian complete the booking and accept these Terms & Conditions. Parents or legal guardians must remain on-site for the entire duration of the class. They may either: Book a place and participate in the class alongside their child; or Remain on-site as an observer. Parents or guardians attending as observers must not participate in the class, use studio equipment or materials, or interfere with instruction unless invited to do so by the instructor. Participants aged 11–17 must be well behaved, able to understand and follow instructions, and be capable of working independently in a group setting. The class is taught at an adult pace, and while guidance is provided to all participants, the instructor cannot provide continuous one-to-one supervision or support. Parents or guardians are responsible for ensuring the class is suitable for their child's age, confidence, maturity and ability before booking. The instructor reserves the right to refuse participation or ask a participant to leave if their behaviour, ability to follow instructions, or level of support required significantly affects the safety, learning experience or enjoyment of other participants. In such circumstances, no refund will be provided.
Location

Stoke Newington 36A Windus Road N16 6UP London

Kintsugi Workshop location
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Your teacher

Cernamic
Cernamic

5.0 (1,413)

A rare and hidden pottery Eden in the heart of east London, Stoke Newington. Cernamic studio in Stoke Newington was founded, created, and built during the first lockdown of the pandemic, through hard work, blood, sweat, and tears. Nam and Susi two professional ceramicists run this fun and affordable pottery studio open for everyone from all walks of life.
Nam Tran is an award-winning practitioner who gives lectures and demos at universities and exhibits internationally. A ceramic lecturer and head of the departments in design and multi-media with Kensington and Chelsea college. Nam specialises in wheel-thrown raku, bringing years of experience and craftsmanship to every object made.
Tran's work is focused primarily on exploring the physical properties of clay and material experimentation is a strong characteristic of his work. He has been developing making enclosed forms that are much stronger than open forms and therefore resonates well with the alternative firing technique he uses. His work is dominated by thrown pieces that subtly echo the urban roots and conceptual design. Nam Tran first made pots as a teenager on a wheel in his own bedroom and remembers being captivated by the experience. With his unique alternatives methods and approach to ceramics, Nam Tran identifies rules and manipulates and bends them.

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